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Welcome To Spare Time Novelist

Welcome to the Spare Time Novelist. This web page is for those writers who dream of some day being on the New York Times Best Seller List. Maybe you've dreamed of being the next Robert Heinlein, Nora Roberts, John Grisham, Toni Morrison, Tom Clancy or one of my favorites, Susan Krinard. Or maybe you're striving higher, to become the next Aristotle, Euripides, Machiabelli or Freud. Whatever your choice, there's always a starting point, a place to begin. Hopefully, Spare Time Novelist can be a part of your destiny. These pages are dedicated to YOU, to those of us who need, who feel the urge to tell a story.

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Interview with Author Charlee Boyett-Compo

Charlotte Boyett-Compo, Author
Visit her website: Here
Interviewer: J.M. De Long
for Spare Time Novelist

BIO: Charlee is the author of over thirty books, the first nine of which are the WindLegend Saga which began with THE WINDKEEPER. Married 35 years to her high school sweetheart, Tom, she is the mother of two grown sons, Pete and Mike, and the proud grandmother of Preston Alexander and Victoria Ashley. She is the willing houseslave to six demanding felines who are holding her hostage in her home and only allowing her to leave in order to purchase food for them. A native of Sarasota, Florida, she grew up in Colquitt and Albany, Georgia and now lives in the Midwest.

PROFESSIONAL ALLIANCES: She is a proud member of the Authors' Guild, National Writers' Union, the Writer's Club Romance Group, Romance Writers of America, Romance Foretold, The HTML Writer's Guide, EPIC (the Electronically Published Internet Connection), Women for Literature, Ardeon, E-Authors, the Phenomenal Women of the Web, and the first author to be published by Twilight Times Books, now Dark Star Publications.

AWARDS: Recently, she won Inscription Magazine's 2000 Engraver Award for Favorite E-Author and The Writecharm's Simply Charming Award for promoting e-books and their authors worldwide. Her sci-fi/futuristic novel, BloodWind, stayed on Dark Star Publications bestseller list for over 18 months and has now been released in paperback. It was named as one of the Best Books of 1999 at eBook Connections as was her dark historical, In the Wind's Eye. Her psychological thriller, In the Heart of the Wind, was recently nominated for a 2000 R.I.O Award and has been named as one of the Best Books of 2000 at Inscriptions and was awarded a Reviewer's Choice Award at Scribe's World.

NON-WRITING PURSUITS: Charlee has been taking classes in American Sign Language for the last two years. She is a member of Beta Sigma Phi, Ladies of the Heart, Partners of Mary, White Rose Sisters, and is the parish secretary of her local Catholic church as well as the creator and webmaster of its webpage.

Charlee can be reached at charleecompo@hotmail.com or by snail mail at:

Charlee Compo
P.O. Box 745
Grinnell, IA 50112-0745


First off, I want to thank Ms. Compo for giving her time for this interview. I hope you enjoy it as much as I did.

(STN) 1. How did you start writing? What first inspired you?

(Charlee) I began writing when I was about thirteen. I was madly in love with Michael Landon of Bonanza and didn't like the storylines they were doing for Little Joe. I thought they needed more drama, more turmoil for the hero, and more tears for the female viewers. I began re-writing certain scenes in my mind, then later I put them to paper. Pretty soon, I was thinking of my own story starring Michael and found myself writing Western Flame. I filled a large spiral composition book with that story. A few years later, I'd fallen out of love with Michael and deeply in love with Robert Vaughn (I loved his angst-filled performances in The Young Philadelphians and The Magnificent Seven. I'm a sucker for an attractive man in pain!). For Mr. Vaughn, I wrote The Great Giovanni. A year later, a friend and I wrote a play titled Did You Say Ghost? for 9th grade assembly and it was put on for both the 8th and 9th grades. It was a huge success. Over a period of twenty years, I kept copious notes for other novels along with bits and pieces of dialogue. One day I finally sat down and started writing The Keeper of the Wind (the first book in The WindLegends Saga) and since then, I've written over 35 novels, 12 of which are published and the rest under contract.

(STN) 2. Do you write everyday?

(Charlee) I write almost every day. Since I work an 8-5 full-time job, it's sometimes a little rough coming home, fixing supper then coming into my office to write. I have a very stressful job and sometimes distractions hinder my ability to concentrate. I have a tendency to bring my work home with me in the context of the emotions and feelings that go along with it. I actually think that is what most writers call writer's block. It isn't the ability to write; it is the ability to blot out the distractions around you. Just like a demolition expert hovering over a bomb in preparation to dismantling it, concentration is a vital part of the job. If that man's mind wanders, he could find himself casting off this mortal coil. A writer who can't concentrate on what he or she is writing will find his or her mind wandering off to other topics. That isn't writer's block; that's an inability to concentrate on what is at hand.

(STN) 3. How do you feel about Writer's Groups?

(Charlee) I belong to a writer's round robin but we haven't been active for quite some time. We are not a critique group, per se, but help one another when help is needed to flesh out a scene or to answer writing questions. I am a solitary writer and don't get much out of critique groups anyway. The few I have belonged to have always had the one or two seemingly jealous writers who take great delight in trashing other people's work. They never had anything good to say about anyone else's writing and thought theirs far superior. "Well, I would have written that scene like this..." I don't need that kind of attitude. I like positive re-enforcement and most writers who belong to groups like that should quietly bow out and let the sharks feed as they will. Being constantly attacked on any level will undermine your belief in yourself. I think some people might conceivably need Writer's Groups, but most don't.

(STN) 4. Tell us about your latest book.

(Charlee) Windhealer is the fourth book in the ten-volume sword & sorcery romance adventure series, The WindLegends Saga. It was scheduled for release this month but the publisher moved from the East coast to the West coast and things have been hectic for them. Hopefully, it will be out next month. I've been getting emails from antsy readers who are sitting on pins and needles waiting for it. One gentleman sent me a letter just this morning telling me he was in the process of re-reading the first three books in the series until he could get his hands on Windhealer. It's nice to have that kind of reaction to your work. It makes you feel as though you have accomplished what you set out to: to entertain and make readers look forward to your next book.

(STN) 5. Do you have a special place to write? Typically, how much do you write a day?

(Charlee) I have an office in a converted bedroom. There is very little distraction in here. The windows are covered in blinds, blocking out the view of the den, and I have no radio, stereo or TV. The phone line goes to the Internet and once my door is shut, I can barely hear the other phones ringing in the house. I have a photo of my office on my web page if you're interested in seeing what it looks like. It's a small room (8 by 10) but big enough for a multitude of research books and my collection of stars.

I write all weekend long each week and that equates to about sixteen hours. In the evenings during the week, I try to get in at least 30 minutes to an hour's worth of writing. Most of that is edit work or going back to re-work a scene I didn't particularly like the first time around. Most of my intense writing is done after church on Sundays when the house is quiet and my hubby is taking is afternoon siesta. :)

(STN) 6. How much do you re-write? How many drafts do you typically have?

(Charlee) I will re-write any scene that doesn't grab me. I might re-write it a dozen times until it 'speaks' to me. When I read it, I'll know when that scene is right. I always do three drafts of any novel before I turn it in to my publisher. After that, I work with one of two superb editors who will go through the manuscript with a fine-tooth comb and then hand it back to me to tweak. We'll discuss why he or she thinks I should change something or why I think it should be left as is. After I've done my side of the edits, it goes back to the line editor who then goes through it a second or third time to make sure the time frames are correct, the plot is sound, etc. then he or she sends it on with my corrections to the final editor who goes over everything again. After that, it goes to a fourth person who is responsible for making sure there are no typos, grammatical errors, etc. before being sent off to the printers. Despite all those precautions, typos and errors still get through in every publishing house in the world. It's a matter of not being able to see the forest for the trees.

(STN) 7. Do you use an outline? If not, how do you keep your story and characters together?

(Charlee) I never use an outline because I never know where my characters want to go until we're there. I might begin with a set notion of what the story is going to be like but eventually it will twist and turn itself into something I never would have imagined. It seems my readers are vastly entertained by the way I write for they always mention and reviewers always comment on the many whiplash turns in my novels. They are not predictable and never cookie-cutter. If you figure out a plot early on, you were meant to. Most of the time, it will not be anything you could possibly have conceived of happening. I enjoy tricking my readers like that and they seem to thrill to it.

I have a wonderful compendium with every character I've ever created. I list that character's traits, which book(s) he or she shows up in and when, what their motivation is and why. I also lists all the horses, ships, places, towns, rivers, countries...all of it...that I have created. I did this to keep everything straight in my own mind but my publisher has mentioned she might like to put out a companion book to The WindLegends Saga in the same vein as the Outlander and Vampire Chronicle companions. I've been told many readers have suggested that idea so we'll have to wait and see what happens.

(STN) 8. What drew you to the Wind Legends saga?

(Charlee) I liked the darker works like Edgar Allan Poe's when I was a child. I read Mary Shelley's Frankenstein when I was ten years old and Bram Stoker's Dracula when I was eleven. I didn't understand some of it, but I was mesmerized by the genre. I began reading all the horror and sf/fantasy novels I could get my hands on. I loved Shock theatre and would sit for hours watching the old black and white movies of Karloff, Lugosi, and Lon Chaney, Jr. By the time Hammer Films began making the Dracula series of movies with Christopher Lee and Peter Cushing in the 1960s, I was addicted to the genre. I couldn't get enough and when I was thirteen, I cajoled my mother into ordering a subscription to Famous Monster magazine for me. After that, there was no turning back.

When I began writing the first book in the WindLegends Saga, I knew it had to contain all the elements that had so fascinated me as a child: there had to be a monster (whether mortal or supernatural); there had to be a quiet love story; there had to be plenty of action; there had to be succinct dialogue; and there had to be plenty of angst for the hero. If you look at all the old horror movies (as well as Lee's version of Dracula and The Mummy), you'll find an underlying element of tragedy for the hero or the main character. That element of angst struck a chord within me and my muse began to play the music that would become my particular style. That style became The WindLegends.

(STN) 9. What authors do you like to read?

(Charlee) I never miss the books of John Sandford, David Wiltse, Andrew Greeley, Ken Eulo, Brian Lumley, Dean Koontz, John Saul, Robin Cook, or Dennis Lehane. Likewise, I buy (but don't always get right to) the novels of Jude Devereaux, Rosemary Rogers, Johanna Lindsey and Shirlee Busbee. I read those when I want light entertainment and not something heavy to have to ponder. Just recently I discovered Michael Connelly and have bought all of his books. So far, I've read only one but he looks promising. When I want to laugh, I buy Dave Berry or Paul Reiser. They crack me up big time!

(STN) 10. Do you enjoy meeting your readers and are you able to do this often?

(Charlee) I love meeting them and corresponding. I don't have time to do many book signings now but when I did, I thoroughly enjoyed hearing what people had to say about what I've written. I have about two-dozen readers who write me every week and another dozen or so who write once a month. I am thankful for every new reader I get and when someone writes me, I write back within a day or two of getting their email or letter. Most of the time, I make it a point to answer that same day if at all possible. I know how hurtful it can be not to hear from an author when you write to him or her and I don't want anyone to ever say I was not a courteous, thoughtful author. When someone asks for my autograph, I am thrilled and very grateful they think me worthy of their notice.

(STN) 11. Who is your greatest support?

(Charlee) My husband Tom is the light in my life. He has always stood behind me, beside me, and never let me give up even when it seemed no one would ever publish my work. He sits beside me at every book signing I do and to hear him tell passersby, I'm the best thing since jiff penanut butter and won't stick to the roof of your mouth! He is so proud of me and tells every one of his clients about his wife, the author. He has always had a strong shoulder for me to cry on when everything seemed destined to fall apart and strong arms to lift me high when things begin to happen. His wonderful, endearing smile has never wavered nor has his belief in my ability. He is my dearest friend and my biggest fan. Without his support, guidance, and gentle nudging I would never have realized my dream of becoming a published writer. I owe everything to this quiet, gentle man with the sweetest little butt you won't ever see! There are several pictures of him as well as my family and pets on my web page.

(STN) 12. E-Publishing is becoming a big part of the publishing world. You've done exceptionally well in this field of publishing. Can you tell us a little about how e-Publishing works?

(Charlee) Everything is done via email and that is such a wonderful way to get your work out there. From that first email asking a publisher if they would like to review your book to your first reader actually purchasing that book, everything can be done on the Internet. You can send your query letter and first three chapters or first 50 pages in and within a day or two, you could conceivably know whether or not that book will be accepted for publication. That isn't always true, of course. With the more well known e-publishers like RFI West, Hard Shell Word Factory, Crossroads, DiskUs, Novel Books Inc., etc., it will take longer because they have such a large stable of authors already. But new e-publishers are cropping up every day and are looking for good, quality work.

Let's say you've queried and been accepted. The next thing will be to send your entire manuscript in via email attachment. Depending on the workload of your assigned editor, you could have your first edits back within a month or two. For the sake of argument, let's say four to six months, tops. That's still 3/4 of the time it generally takes a traditional print publisher to get your galley proofs back to you. (And that is through snail mail entirely from query to submission to galley). You can do your edits and send them back to your editor via email. You never have to leave your house! When the e-book is ready in download format, it will become available for sale almost immediately on the publisher's website. Anyone, anywhere, at any time of the day or night or condition of the weather can order your book without leaving THEIR house!

You can even get your royalty checks via the Internet at PayPal.

A WORD OF WARNING: I would like to caution new writers looking into e-publishing about one thing: e-publishers who want to charge you a fee for publishing your novel. This is something I would beg, plead, beseech, and warn you against doing. No matter how you slice it, any publisher who asks for an upfront fee of any kind is a subsidy/vanity publisher. There has been some discussion on many of the lists to which I belong about there being a difference in those two terms: subsidy and vanity. To my way of thinking, if you have to pay to have your work published...either in part or in full...you are dealing with the same type of publisher. Reputable, professional publishers would NEVER ask you to pay one red cent to have your book published. Most reputable contests will not accept your book for judging if you are self-published or vanity-published. Most professional organizations will not accept you for membership if you are published under those circumstances. Most contests and organizations state you have to be published by royalty-paying, non fee-charging publishing houses. There is a reason for that clause: most subsidy/vanity publishers will take ANYTHING offered to them if the author pays to have it published. The quality, in most cases, is lacking and proper editing is nonexistent. Even after they supposedly 'edit' your manuscript, the result may be worse than the original.

Case in point: My first publisher sent me back the galley proofs for The Keeper of the Wind. I was appalled when they 'editor' had changed the word Sweeting (a viable medieval term of endearment) to Sweetie. Apparently she did a global search and replace because my villain confronts the hero, looms over him in a moment of vicious torture and says: "You are at my mercy Sweetie prince!" ARRRRGGGHHH! I remember the scream that was torn from my throat when I saw that. Not to be outdone, this 'professional editor' also took it upon herself to make a slight revision concerning a scene in which the hero and his mighty black destrier (war horse) are crossing a stream in Scotland. When hero and mount reach the other side, the horse had morphed into a gray mare. The only thing I could figure happened was there were piranhas in that Scottish stream and the act of being emasculated turned the black stallion to a gray mare.

Yep, real good editing, folks. I could give you about two dozen more examples from that and other publishers but I think you get the message. Some review websites will not accept ARCs (advanced review copies) for review if they are from a subsidy/vanity publisher for that very reason.

If you have exhausted every possible e-publisher which DOES NOT CHARGE and your work has been turned down consistently, perhaps it needs fine-tuning. It might not be as good as you think. If you submit that work, as is, to a subsidy publisher and receive a glowing letter telling you how great it is and how they'd love to publish it FOR A FEE, you have to understand their money is coming from getting you to pay for that book to be published. They make money whether your book ever sells the first copy. If you've shelled out a thousand dollars just to see your name in print and to be able to say you're published, that's vanity publishing no matter how you cut it.

Try every reputable, royalty-paying, non fee-charging e-publisher out there first and let the subsidy/vanity publishers be an absolute last resort. Having gone to court twice with subsidy publishers and having helped put two of them behind bars when they took authors' money and never produced the first book, I can tell you that you don't need the heartache and the damage to your career these people can cause. Stay as far away from that type of publisher as you can. If you don't and you get caught up in the myriad scams being run out there, you'll have no one but yourself to blame. You've been warned.

(STN) 13. Is e-Publishing a good place to start for an unpublished writer?

(Charlee) It is an excellent place because it is so accessible. Traditional print houses reject new writers without ever having taken a look at their manuscripts. Form letters are sent out by the ton every year to crush the hopes and dreams of fledgling writers. Sometimes it takes months and months of waiting to ever hear back from traditional print houses. With e-pubs, you'll know in a matter of days whether they will accept your manuscript for review. Since there are so many e-pubs out there now, it may be only a week or two before you hear back on whether or not your work has been picked up by that publisher. The ease with which you can send in a submission in email attachment is another godsend for new writers. You don't have to worry about packaging up a bulky manuscript, carting it down to the post office, insuring it, and sending it off with the hope it gets there eventually. The wait to hear back from a traditional publisher can be excruciating, but that time frame is chopped down significantly with e-publishing. The time it takes from submission, acceptance, to actual availability is also cut drastically. Some traditional publisher can take up to five years to get your work before the public. The professional, well-established e-pubs are taking about a year to 18 months from submission to virtual shelf. With the advent of more and more e-pubs, that time is cut even further and can be as little as 6 months.

(STN) 14. In your opinion, will e-Publishing ever replace the good 'ol book?

(Charlee) No, not in the entertainment sense of the word. Nothing can replace the comfort of holding a book in your hand and flipping the pages. There is great satisfaction for some people in actually seeing the print on paper, smelling the ink, stroking the cover art. On the other hand, as we Baby Boomers grow older and our eyesight starts to go the way of the receding hairline and advancing bulges, being able to increase the font size and backlight what we're reading will certainly help. Also having 40 books in the physical space of one to take to on the plane or to the beach would be great.

I believe eventually textbooks will go the way of e-books onto a dedicated e-reader so students don't have to lug around a dozen books in their backpacks. To be able to have an encyclopedia, a dictionary, a thesaurus and other mega-page research volumes as well as your textbooks available in one unit the size of a traditional paperback book, will be a real boon to students. I'm sure they wouldn't mind carrying around less weight and looking cool while holding their e-reader. I believe the e-reader will one day be as essential to teenagers as cell phones and portable CD-players are now. Once the teenagers discover the usefulness of this handy little device, their parents won't be far behind. That said, prices need to come down significantly, though, for that to happen.

(STN) 15. If you could have done anything at all in your life, what would it have been? A secret ambition?

(Charlee) I always wanted to be a character actress. I didn't care about being the star with my name up in lights. I wanted to play the kind of roles that went to actresses like Cloris Leachman, Jeanette Nolan, and Gina Rowlands. I always thought the meatier roles were the supporting actor characterizations because they held the storyline together. I pay close attention to the actors and actresses who are there in the background, giving the movie their best performances, and making it look so easy while the stars are in the foreground chewing up the scenery. Next time you go to an over-hyped movie, watch the supporting actors quietly do their thing. They are earning their paychecks and not relying on their star names to carry the movie. You'll get more out of the story that way.

(STN) 16. You have a wonderful website. Do you use other methods of marketing your work?

(Charlee) I do a lot of networking. I belong to several lists that name new websites that have debuted that week. If those websites are within the scope of the seven genres in which I write, I visit them, look them over, then email the webmaster, introduce myself, and invite him or her over to my website to see what I have to offer. I offer myself for interviews and my books for reviews. I will also ask them to keep me in mind when they have writing articles they might be interested in having written. I visit guest books and leave a message inviting the webmaster to come over for a look. I have joined many genre-specific mailing lists in which I take part in the interaction between listers and quietly mention my books when someone asks. I learned long ago not what not to do on these lists. You can create a lot of trouble for yourself by saying the wrong thing at the wrong time.

(STN) 17. What are you currently keeping yourself busy with?

(Charlee) I am writing a novel that will be serialized. I have written two in that manner and both were huge successes. BlackWind is a cross-genre paranormal/romance novel. I use two of the creatures I have created for several of my other novels: a Reaper and a Nightwind. A Reaper is a shapechanger superman-type character and a Nightwind is an incubus. In this novel, which will be published in weekly installments from my publisher's website at http://www.rfiwest.com beginning in September then later published in trade paperback upon completion, I have a Reaper and a Nightwind vying for the love of a mortal woman. We won't know who will win her hand until the last chapter. Which is superior: the Reaper or the Nightwind?

(STN) 18. Many of the visitors to Spare Time Novelist are beginners. What advice would you give them?

Write what you know; if you don't know, find out!

I know that seems trite but it is so true. I'll give you an example of why I say this. Three years ago when I was doing In the Wind's Eye in monthly installments, one of the scenes involved a description of the hero riding past a canopy of kudzu. Now kudzu is a plant that grows in my native South and I've seen it all my life. It is an insidious little vine that will choke the life out of any plant to which it attaches itself. You seem it everywhere down there. Some people even eat the stuff though why is beyond my line of reasoning! At any rate, I received a letter from a man who took me to task for saying kudzu could be seen near Savannah, Georgia immediately following the Civil War. He went on to tell me that kudzu wasn't brought to Georgia until the 20th century. He also said another vicious little thing called the fire ant (another savage demon found in over abundance in the South) was not around until much later than the Civil War. That might not mean much to other readers and most would not even blink an eye when reading it. Facts mean very little to the reader who picks up a book for the entertainment value. But it meant enough to that gentleman for him to write me a nice note to let me know there was a glaring discrepancy as far as he was concerned. I thanked him and had the editor change the kudzu to ivy. The fire ants I left in because they were far more intricate to the tale than the kudzu.

So write what you know because if you invent something or give out erroneous information there will always be someone to call you on it. It might be...and hopefully WILL be...your editor, but it might just be that one reviewer who will give your book a bad score because you didn't research it well enough to pass muster. When you write about things you know and are familiar with, you are more apt to describe them in ways your readers will understand and 'see'. It's hard to describe having a root canal if you've never actually sat in that chair and been tortured by one! The same is true of love scenes. To write a convincing scene, it helps to have felt the emotions and the sensations you are telling your readers about.
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Issue: 03 Year: 1998
Editor: J.M. De Long
© 2000 J.M. De Long
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By Charlotte Boyett-Compo


Blood Wind


Night Wind


Wind Chance


In the Wind's Eye


The Wind Weeper


In the Teeth of the Wind